LOS SCAEVOLAE DE CICERÓN Y LAS PINTURAS DE LA DENOMINADA ‘VILLA DEL GIURISTA’
Abstract
The aim of this paper is to analyze the content of the mural paintings of the so-called Villa del Giurista from the
point of view of their possible relationship with the contemporary cultural context, particularly with Cicero. Some epigraphic
considerations are added to the end that may contribute to the understanding of the entire pictorial representation
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